Rudy Van Gelder by James Estrin
"Nothing is simple and everything is complex": You might recall that during our Christmas song countdown last year one of the songs featured was a Coleman Hawkins' jazz rendition of "Greensleeves," and in that post I linked to a rare photograph of Rudy Van Gelder's legendary home studio in Hackensack, New Jersey. Very sorry to report that Rudy Van Gelder left this world a short time ago, on August 25th, age 91. If you're not a jazz listener, try Sonny Rollins' "Saxophone Colossus" for a sample of what Van Gelder could do back then. He was miles ahead of his time during the '50s and '60s when he played an essential role in documenting the music's greatest era.
Blogging back: I wrote about reader/photographer Dave Levingston's visit to TOP Rural Headquarters, and now Dave has returned the favor on his own blog. (Warning: other material at Dave's site is not workplace/school safe.) Dave's picture of me in the parlor of La Belle Vie is better than the picture of him I took of him in the same spot. (Have you ever done that? It's an interesting exercise: walk around with another photographer and try to take the same shots. The differences in what you each come up with can be very interesting.)
At the World's Best Photography Magazine: Alex Webb's Mexico. And here's Sally Mann and Cy Twombly. Here's how you get to the page with the photography articles: at the New York Times website, go to the "sections" list under the main title header. Click on the word "ALL" at the far right-hand side. When the complete list of sections appears, click "Photography." The current lead article might fill your page; scroll down for more articles. At the bottom of the thumbnails, click "View More Recent Posts" (um, ambiguity alert) for older articles. This actually doesn't cover the whole range of articles pertinent to photography; it doesn't include obituaries, for instance. But it's a good start. The NYT has particularly rich coverage of photography and it's almost always possible to find something interesting. The only problem is that I'm never confident that I'm aware of everything there is.
As for Alex Webb, here's the book. And here's Sally's book.
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(To see all the comments, click on the "Comments" link below.)
Featured Comments from:
Lorenzo C.: "Rudy Van Gelder/jazz! Sonny Rollins/Saxophone Colossus! Alex Webb/Kodachrome!
"Three awesome, classic people/things in one post!!!"
Chuck Albertson: "Agree that the New York Times Lens blog is always worth checking out, but isn't it behind the Times paywall? I pay (subscribe to the 'Weekender' print edition Fri-Sun, which gives you full-time access to the digital edition), but many people can't afford it."
Mike replies: Oh dear, I forgot entirely about that. Very sorry not to have mentioned it. Thanks Chuck.
Michael Matthews: "Rudy Van Gelder was so far beyond his contemporaries in talent and skill that his name on the back of an LP was a selling point. When I was a high school kid in the mid to late '50s in that celebrated poverty pocket known as West Virginia, money was scarce. If I had put together enough cash to buy an album and there were, say, three of equal interest I would turn to the back of the album sleeve and check where it was recorded and by whom. (We had no opportunity to listen before making the commitment.) If Rudy Van Gelder was listed as the recording engineer on one there was no question: that was the choice."
david stock: "I highly recommend seeing Alex Webb's Mexico photos on the walls at the Aperture Gallery in NYC. Just went to the opening tonight, and was stunned all over again. Masterful, almost impossible images, beautiful large prints. Didn't study the book yet, but it looks well crafted."
So sorry to hear of Rudy van Gelder's death. He was the man who showed me digital recording wasn't so bad after all through Blue Note's RVG special editions of the late 90's, which he transferred from analogue tapes at a 24-bit rate and remastered digitally. Yes, there's a whole new level of clarity to those CD's - but still nothing that compares to his analogue recordings of the 50's and 60's, such as 'Miles Davis And The Modern Jazz Giants' (curiously, in this album's credits he's identified as "Van Geldua"!) and, as you rightly point out, Sonny Rollins' 'Saxophone Colossus.' I dare say there is a studio sound before and after Rudy van Gelder - at least in Jazz recordings.
Posted by: Manuel | Wednesday, 07 September 2016 at 12:19 PM
Wow, a twofer. Great photo essay from Alex Webb, better than most of what the nytimes puts out there, and nice to see an update on Mrs. Mann, albeit not a joyful experience.
Worth revisiting "What Remains" at this moment in history, by the way.
Thanks.
Posted by: Andrew Molitor | Wednesday, 07 September 2016 at 12:22 PM
I continue to be a big fan of Van Gelder's. He was a master of an art that is rarely mastered and little recognized.
There are other practitioners of this art that deserve the same recognition as Van Gelder for their work, especially in the area of big band recordings, which Van Gelder eschewed.
Will be interested to see if his assistant will keep the studio running.
Posted by: Bill Pearce | Wednesday, 07 September 2016 at 04:11 PM
I'm sad to learn about Rudy Van Gelder's death! As far as I know, almost all of the albums published by Blue Note Records have been recorded with him as the sound engineer. Back in the eighties and early nineties, when I was young, I enjoyed these records a lot (still do). His death coincides with the death of Marc Riboud; a second-hand copy of "China" was one of my first photo book purchases, also in the mid-eighties. Sad to watch these influences from my youth go ...
Posted by: Thomas Rink | Wednesday, 07 September 2016 at 04:12 PM
I also note in the Sally Mann NYT article:
She has shot with a compact digital before (there are some images in Hold Still) but they're more factual/documentary/memory/snapshots than art work.
She started off with a Leica III and a prewar uncoated Hektor that her Dad gave to her in 1969. I presume this is a Hektor 50mm f/2.5.
from Hold Still.I suspect this is the same lens on a new digital Leica with examples in the NYT article.
The lens gives an interesting mix of sharpness, in the center, and softness on the edges when wide open but without much vignetting. There is also a reduction in overall contrast from the lack of anti-reflection coatings along with a tendency to flare. These effects all match her large format "sharp/soft" look with selected "not perfect" lenses.
She's talked about doing more work with a digital Leica last year:
http://www.thedailybeast.com/articles/2015/05/13/how-photographer-sally-mann-found-the-light.html
Posted by: Kevin Purcell | Wednesday, 07 September 2016 at 04:19 PM
Rudy Van Gelder had an amazing career and I would not even try to call out his most important recording.
I will however recommend a couple of albums that always make me smile. Not being a music critic, a musician or a music scholar means these are not likely to be definitive works, just perfect ways to spend a rainy Saturday afternoon.
I have these on both vinyl and CD and while the CDs are remastered I can't tell them from the vinyl mix.
https://www.amazon.com/Verve-Request-Antonio-Carlos-Jobim/dp/B00004S95R/ref=sr_1_fkmr0_1?ie=UTF8&qid=1473281262&sr=8-1-fkmr0&keywords=tide+ac+jobim
https://www.amazon.com/Concierto-Jim-Hall/dp/B004C4IK6Q/ref=sr_1_1?ie=UTF8&qid=1473281358&sr=8-1&keywords=concierto
Posted by: mike plews | Wednesday, 07 September 2016 at 05:01 PM
Mike - here's a link to a discussion about Mr. Van Gelder. It took place on TalkBass, a forum for bass players, both electric and double bass. A few comments from jazz musicians. FWIW.
Posted by: Bob Cook | Wednesday, 07 September 2016 at 05:20 PM
Sorry Mike, forgot to include the link to the TalkBass discussion mentioned above. Here it is: https://www.talkbass.com/threads/rudy-van-gelder-rip.1240303/
Posted by: Bob Cook | Wednesday, 07 September 2016 at 07:48 PM
When pawing through used LPs in any shop I always look for Rudy's ID in the inner groove markings when I'm looking a jazz releases. RIP.
Posted by: Earl Dunbar | Wednesday, 07 September 2016 at 08:11 PM
This may be well known, but an offshoot of Blue Note called "Music Matters Jazz" has reissued on vinyl many of the very best Blue Note albums, which of course includes many engineered by Van Gelder. They are amazing and worth every penny.
Posted by: GRJ | Wednesday, 07 September 2016 at 10:20 PM
Wow you do seem to attract guys with wild crazy beards!
Posted by: Eric Rose | Wednesday, 07 September 2016 at 11:33 PM
It was pretty exciting to learn that Sally Mann and Cy Twombly were such close friends, since both have been in my top tens of favorite photographers and modern painters for decades. Looking at their work they seem to come from different planets and never I suspected any connection.
That heart-warming chapter in Sally’s book about Twombly!
Her whole chronicle is so impressive, even if the sad recent part of Sally’s life isn’t in it. Read it if you want to understand why photography isn’t about photography (the TOP-topic of 25 August).
The greatest thing about Rudy Van Gelder was that it's hard to hear what he contributed. He could put everything in the right place and it all seemed so evident, logical and natural that you didn’t recognize the genius. The form follows function counterpart in music. I wished more architects had his attitude.
@ Chuck Albertson & Mike: Living outside the New York Times pay wall you can read ten free articles each month.
Posted by: s.wolters | Thursday, 08 September 2016 at 02:19 AM
Mike,
I too subscribe to the times digital media and looked to see what I could find on my iPad.
I could find no "Photography" section. But way down under "Blogs" there was the "Lens" section. There I found the Alex Webb Mexico story.
The Sally Mann article I found near the top of all the segments under the "Arts" banner.
Dave
Posted by: Dave Van de Mark | Thursday, 08 September 2016 at 10:30 AM
The New York Times photography blog does not seem to be behind its paywall. This is from UK.
Posted by: Richard Parkin | Thursday, 08 September 2016 at 02:07 PM
Hey ho.
> Have you ever done that? ...walk around with another photographer
> and try to take the same shots...
In the BBC Imagine documentary about William Eggleston (The Colourful Mr. Eggleston), Jurgen Teller recalls seeing Eggleston take a photo of a rubbish bin, so he copies him, to have his "very own Eggleston." Egleston's photo was, apparently, magnificent. Teller said his was a photo of a rubbish bin.
Posted by: Dean Johnston | Friday, 09 September 2016 at 07:47 AM