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Saturday, 25 October 2014

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I always thought Bresson NEVER looked like a photographer. Maybe a salesman out for a stroll but not a photographer.

By extension one could argue that the less someone 'looks like a cop' – wears faded rock-band shirts, drives a Porsche – the more effective they are. It's certainly an appealing premise.

Baloney.

Did Salvador Dali look like an artist?

I'm an engineer by trade - my bunch isn't reputed for fashion sense. And yet a few of us dress very well. Are we to dismiss them outright as clowns and impostors?

Well, of those I know very well, I cannot think of a single one who hasn't a wife seeing to his image... so much for your theory. ;-p

Although there is something definitely to be said for this generalization, it is just that; and like all stereotypes, true only to an extent. By percentages alone, there are far more bad and mediocre photographers with no style sense whatsoever, than there are those with.

Avedon had a great, although understated sense of style, which served him well in his profession. Scavullo supposedly stopped a shoot cold until one of his assistants, who donned a similar neckerchief to his, removed it.

I can appreciate a good sense of personal style, it is indeed quite rare- as opposed to just being fashionable, or worse, a poseur. Many aspire to it, most fail spectacularly; photographers (of all people) should be able to, at the very least, recognize it. True, good fashion sense certainly doesn't mean someone is any deeper than anyone else, they're just more visually attuned to a certain aspect of how things look and work. Trivial, yes- but something any so called artist should be able to appreciate.

I look at that photo of Rene Burri, and I see a photographer, an artist comfortable in his own skin...

Personal style may be natural or contrived, genuine or artificial, but unless all of one's photography is staged or doesn't include any humans at all, I think it is very helpful not to attract too much attention by the way you look. You don't have to look like a grey mouse, but the outrageously, 'artistically' dressed (would-be) photographer is definitely frustrating his or her own efforts to a certain extent.

below can also apply to appearances or a "look".

a foolish consistency is the hobgoblin of little minds

Emerson

There was a young girl I met in art school that came from a wealthy and influential family. She attended the school partially for one semester, and during that time I befriended her. She confessed to me she was there because her rich parents did not know what else to do with her. Some of the students called her a Poser, meaning it in a derogatory way because she did not exhibit any art or add to class discussions. She dressed and acted through a style all her own; eccentric and engaging and what some folks might define as the persona of an artist. The last time I saw her, I asked if she’d like to model in an upcoming shoot about mime artists. She responded with delight and stated she had lots to contribute in regards to wardrobe, makeup and mime posing. I gave her the date and location and she said she’d be there. The shoot went on as planned, but sadly she never showed up, nor did she return to school, and no one knew what became of her. I accepted the idea she was a Poser, and hoped she had found her next script.

I think there is some validity in what John is saying, but I think it goes only so far as I can think of many exceptions. Some people are their art. Duchamp from the pictures I've seen of him preferred a suit, Dali well his appearance and his persona were all part of his art.

There are a lot of preconceptions as to what an artist should look like and I know people who tend to have an outfit for every occasions - travel photography the eponymous Domke vest and army surplus trousers. If they moved into the studio it would be designer black. Sure a little theatrical but I would never question their artistic credentials for what they looked like.

I think overall judging a man's photographic output based on his taste in shirts is a little shallow.

Thinking back on all the professional photographers I've known and worked with, none would be recognizable as photographers if you met them on the street or even in the studio.

Stereotypes can be efficient shortcuts and sense-making tools. They can, however, keep people from processing new or unexpected information about each individual, thus biasing the impression formation process. Early researchers believed that stereotypes were inaccurate representations of reality. A series of pioneering studies which appeared in the 1930s found no empirical support for widely held racial stereotypes. By the mid-1950s, Gordon Allport wrote that "it is possible for a stereotype to grow in defiance of all evidence".
http://en.wikipedia.org/wiki/Stereotype#Formation

I hope JC has chosen a good cover for his book.

"you see a man who is deeply interested in the image he projects"

A somewhat ironic put-down for a photographer, don't you think? As a movie director, one could certainly say of Burri...

"you see a man who is deeply interested in the images he projects"

Here's how a photographer should look, suit and silk tie. Although your suggestion of a cape could have worked too.

https://www.flickr.com/photos/lazyaussie/8228853618/

I guess it's part of our own prejudice.. We see what we want and ignore evidence to the contrary. Photographers are different people. They dress differently.

Everybody decides how they are going to present themselves, from Salvador Dali to the nerdy kid next door. To conclude that difference of appearance is inversely related to the size of artistic talent is just silly in my opinion. To base it on students who are just setting out and experimenting with life and self expression is even sillier. In this case one immediately wonders, when artistic judgment is so subjective, which came first, the disapproval of the art or the disapproval of the student's appearance.

One also wonders about the irony of someone who copyrights a comment and is concerned about the pretentiousness in art students.

I think very good and valid observation. I have seen the same thing many times in office environment. 'Managers' who overdress in suits, ties, white long sleeve shirts when others wear short sleeves with top button open always seem to compensate for their lack of skills. They cannot get respect from their professional expertise so they try to look respectable instead. I am not talking about dressing up to meet a client or governemnt official but every day outfit in a semi-relaxed office environment.

TOP is not the place for this discussion, but it is the most intimate blog I know of that will at least skirt the discussion of artists and their mental illnesses.
John Camp -
When an artist "looks" like an artist, and has not been discovered, they probably end up in jail or are hidden/homeless their entire lives until they die. If you are lucky enough to encounter one of these people, give them $5 so that they can go to the liquor store and keep the voices down for another night.
Please do not lump all artists into one group. Sometimes artists only have control of their own appearances because of their psychosis; this is why they gauge their ears, wear funny (by general society standards) hats, refuse to shower, wear the same clothes for days on end, choose to wrap themselves in toilet paper or even duct tape themselves to hide their shame.
Most of the best artists I have ever known (but will never be discovered) talk to individuals that other people will never see, murder their closest friends and family, have legitimately attempted suicide multiple times or have just decided to never move or talk for the rest of their lives.
Psychosis is not a black and white issue. Levels exist, for sure. If a kiddo says that he wants to be an artist, dons a fedora and pierces his nipple and then takes two years to photograph absolute bullshit, who are we to judge his psychotic breakdown? He may dress the part, seem fake to every person who sees his portfolio; but in his mind, he is trying to show society what he sees through his brain.
I am not immune to the "holy shit- black turtleneck, ugly glasses, you arrived in a Tesla to an unknown photography exhibit" I hate you attitude. I understand your beef.
I just wish this attitude didn't exist amongst artists as much as it does amongst the white collar folk I talk to on a daily basis
I wish that most artists could look in the mirror and say, "but for the grace of a shifted DNA component amongst billions, I am able to think straight, make rent, and not have to talk to unseen folks while I paint/sculpt/draw/create/photograph for a living"
John Camp - I love your stuff. I wish you would know how lucky you are to be so creative, yet sane.

I don't care what someone looks like - it's the work I'm interested in. My wife continually says I dress like a farmer, whatever that means. My nine to five takes place in an office, and believe it or not, I fit right in, farmer look not withstanding. Of course, I work with the poor, and not not some boss I have to impress.

I dress like an idiot therefore I must be a great photographer. I've finally found the wellspring of my talent. Thanks. The perfect excuse to never set foot in a shopping mall again.

I got a scholarship to study filmmaking in NYC in 1999, but it didn't pay for anything but tuition. It was cold in NYC, so I took my friend's offer of a bright yellow oversize Tommy Hilfiger knockoff jacket to add to my usual baggy cargo pants (can fit lenses in the pockets), and a cheap black rimless winter hat.

After gathering enough money for a plane ticket to NYC from Taipei, I found myself living on the floor of the sewing room of the only Chinese family in a Puerto Rican neighborhood in Brooklyn. And somehow, purely by chance, I was dressed exactly like every Puerto Rican dude there at the time.

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