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Sunday, 03 March 2024

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Hard not to like the smaller Olympus bodies, E-M5 or E-M10 (all versions) as carry-round "street" cameras. They are light, small, unobtrusive, especially with any of the tiny/light f1.8 prime lenses (12, 17, 20, 25 or 45). Shooting versatility, speed of AF or manual focus, is very good and the image quality differences between these and other sensors doesn't matter much to anyone except pixel peepers. I can walk all day long with the E-M5.2 and 25/1.8 holding it with thumb and index finger with wrist strap for added security.

I think a smart phone should be included. Though I know some photographers still resist on principle, it's hard to imagine a contemporary enthusiast not using one as his or her "always with me" camera. And always having and using a camera in one's day-to-day life seems to be a distinguishing characteristic of an enthusiast. So it's important to decide which "always with me" camera and how to use it.

With that said then an ILC, which seems to be where you're headed for the most part, becomes a partner to the phone, or vice-versa I suppose. So which one makes the best partner?

Did anyone nominate the Sigma fp yet? I think it is a brilliant little rectangle brick that can mount almost any lens, including Sigma's superb options. I am referring to it as a stills camera. Your friend, Kirk Tuck, wrote about the superb colors and "look" of the files.

If you include a smartphone then think about including something like the Fjorden grip which turns the whole phone-using experience into something akin to using a ‘proper’ camera.

Maybe it's not a question of which smartphone is included, but rather that "Your Smartphone" should be. Specific models are ephemeral and contentious, even more than camera-cameras are, but their core feature for photography is that you already have one with you. Elevating one specific model seems fundamentally different from choosing either the Leica Q versus the Fujifilm X100.

(It should be the X100 – and it should be the entire series as a concept, not one specific generation.)

Hmm. Missed the original post hope these thoughts are still of use.

Overall: Nikon Z5. Best FF mirror-less bang for buck. Exquisite and inexpensive native primes and a handful of good adapters for all the vintage glass you could ever covet (I plan to have:
Nikon F -> Z
Nikon S -> Z
Leica M/LTM -> Z
M42 -> Z
Canon FD -> Z )

All of that, New, will cost me less than my Leica M 240 did used. I look forward to buying one for my birthday in September.

DSLR? Nikon D810. Just as good, if not better, than anything newer and boat loads cheaper.

Compact? Olympus Pen F m4/3.

As for phones, I bought a new smart phone on Friday. A Motorola Razr 2023. While talking to the salesman, I sat my Leica M 240 down on the counter and simply said "I do not care about the camera in the phone. I use a real camera. I have other things I use a phone for."

I think no phone. Too ubiquitous-people might use phones for serious photography, but it’s not something you’d buy to be an enthusiast photographer. You buy it because it’s ubiquitous and the camera is attached.

I’d say you kind of need to have 3 fixed lens cameras on the list:
Fuji x100
Leica q
Ricoh gr

I also think the L mount cameras are just too large and should be disqualified based on that alone. Your initial brief looked towards smaller size.

Why not do a baker's dozen, then? I think the list is incomplete without those three fixed lens cameras, or at least two of them.

Plus ILCs from Sony, Fuji, Leica, Pentax, and you get up there in number pretty quickly.


I'm hoping that you'll decide to include a 4/3 model - a pretty good case could be made for the Panasonic G9 II or OM System OM-1 (or the just-released Mark II).

The former is a big enough upgrade on the original - new 25MP sensor, PDAF focusing, etc - to warrant a look by enthusiasts, as it's a very competent all-around package, with particularly excellent subject tracking, even for video.

The latter is at the forefront of in-body computational photography, with a computational ND filter (plus GND on the Mark II), 50MP High Res shots, and focus stacking, as well as improvements to Pro Capture that allow raw image capture from before the shutter button is pressed. Much of this is enabled by fast readout from the OM-1's stacked sensor, which has been improved with a larger buffer on the Mark II. For action and wildlife photography, the OM-1 has features that compare favorably with bodies costing twice as much (or more) from other companies, and remains quite compact for a camera with its features, while also maintaining 4/3 historical lens size advantage vs larger sensor cameras. It also has one of best OLED EVFs on the market, at 5.76 million dots.

I'm going to be a contrarian and say, "the camera you already have."

It will come as no surprise to you or your readers that, other than maybe IBIS, new cameras offer very little over any camera of the past ten years or more. How many people actually print large enough to make use of 40+MP?

I think that sales figures show that the majority of people are perfectly happy with what they have. I certainly do not envisage spending thousands on a new camera; I just don't need it.

However, if you want a vote put me down for the smartphone.

I would add a fixed-lens camera that no one has seemed to mention yet.

The Canon G1X III is an APS-C camera, lighter than the X100x and smaller in most dimensions, yet with a very usable 24-70 zoom ('tho a slow one!), weatherproof, stabilized, built-in flash, 24mp. A better all-around take along street/travel camera with these features cannot be found.

Best (Film) Camera(s):

Olympus OM1n
Leica M3
Hasselblad 500C/M

Pretty much all you'll ever need.

OK, more suggestions for the fixed-lens category, a brotherhood of unique offerings from Sony:

Rx1R II A "full frame" fixed focal length with lens aperture settings and 35/2 lens, lighter than the x100x and smaller in most dimensions, but with more mp.

RX100 VII Smaller than Ricoh GRIII in most dimensions, yet with eye level finder, stabilization, superior autofocus, external mic jack and 24-200 equivalent zoom

RX10 IV 24-600/2.4-4 Zeiss lens, super AF, aperture ring and manual focusing ring, weatherproof, built-in flash, 4k vid...

Does anyone buy a phone as a dedicated photographic tool to be only used as such? I doubt it.

There probably are serious photographers doing serious work with smartphones, but there's also no doubt that, for many serious photographers, phones fill the niche pioneered by high-quality pocket compacts in the film era (Olympus, Rollei et al), i.e. the go-everywhere off-duty snapper, note-taker, limited-but-capable last resort, etc. If such cameras deserved a place on that era's "enthusiast" list, I think so do smartphones today, at least generically.

I know the proprietor of this establishment is not a fan of lens adapters, but Canon's and Nikon's (and possibly other?) mirrorless systems rely on proprietary adapters for their usability and value pitches, making official what was always for some a desirable feature of mirrorless bodies. This might be worth a discussion, or at least a caveat, especially if the audience is the wannabe enthusiast.

I use a D850 which is a noticeable improvement on the D800 which I used for 10 years. Honestly, on an image quality level I can't see much difference in D800, D850, or Pixel 6 image files. I think we should forget about image quality and consider how good is this thing as a tool. The D850 forces me to work better.
The D850 improved the controls, how to use the controls, and the feel in small ways that added up. However, this is a very personal thing. I can't hand my camera to anyone else - I have back-button focus set, among other user-unfriendly options. In any case, I wouldn't recommend the D850 to anyone. You have to know why you need it.
However, customization options are a common factor in "enthusiast" anything. They generate revenue. However, Thom Hogan still isn't satisfied and I like his list of requirements.
My modest proposal is that we consider primarily how any of these tools work with you to improve... everything. They all do pretty pictures.

When you're ready for lenses, I have this Nikon 20 1.8 that just makes everything look better....

One thing I don’t think you’ve been clear about here is the role of price. For example, the R8—others might say Z5 instead—represents tremendous value for the photographer who wants the benefits of a full frame mirrorless camera without spending extra money. But if you ignore price, the vast majority of enthusiasts would likely prefer the R6 II.

Your definition of an "enthusiast" includes the word "initiate", ie, someone brand new to digital photography.

When I was an initiate to digital photography, I started with the tiny 2 MP Fuji 2800, which had a nondetachable 38-228 eq zoom lens. That lens really expanded the photographic options available to a neophyte. The whole package easily slipped into a jacket pocket, and I was proud of the images I captured.

Pretty sure there are still digicams today using the same recipe - big nondetachable optical zoom on a relatively small camera. Perhaps one of them should be included on your list?

For compactness the flattop/rangefinder Olympus PEN-F m4/3, with its metal body and front mounted creative dial for easily toggling back and forth between color and monochrome modes.

Check out this video on the PEN-F. It reminds me that Mike makes occasional car/camera analogies too:

A MINI, an Olympus Pen F Digital, and the Concept of 'Fun' by Mark McMahon
https://www.youtube.com/watch?v=t-wKcpylGXs

You should include an iPhone in your list. If you need some rationale, check out the work of Rick Sammon (https://ricksammon.com/iphone-photo), Russell Preston Brown (find him on YouTube), and Jefferson Graham (https://www.jeffersongraham.com/about-photowalks)…you may be surprised. They’re all doing great work with iPhones.

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