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Tuesday, 14 August 2018

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Mike , Re Canon “easily “ jumping to the top of mirrorless sales in Japan,
That only happens if more people decide that they like the Canon offering Better than those from other companies. You or I may not agree with their choices, but that really doesn’t matter.
People buy stuff for lots of different reasons of which technical specs are only one. Remember there are no more cameras that aren’t ‘good enough” for the vast majority of uses.
I’m not arguing that there are not other similar cameras that are “better” because the question is ‘better for who?’
DeFacto, over the last decade Canon has been a little better at building cameras that sell. Thus their market share rose. I have no idea if that trend will continue in the future.
Personally I hope both Canon and Nikon build wonderful cameras that raise the bar. Then the other companies can respond with even better ones.

I think the best selling car in America is the Ford F-150 is it the best car? I don’t think so . It’s a very nice truck, I bought one as our third vehicle for its utility.

I wish them well, but is it really important? The thing is that although Sony is the only camera manufacturer that is innovating at the moment that certainly does not guarantee success in the market place. Minolta were the innovators in their day but they were in a poor state when Konica and then Sony took them over.

[Konica-Minolta is a $9b company that's still in business and doing fine as far as I know. It just decided to stop making consumer cameras is all. And what weakened its camera division wasn't innovation but the Honeywell patent lawsuit, from which it never fully recovered. --Mike]

I'm not too bothered either way, but I'm disappointed that neither Nikon or Canon have taken advantage of the flexibility a mirrorless camera has in component placing; their cameras, it seems, (at least the ones with viewfinders) have their components just where they are in a digital SLR.

For example, a mirrorless camera's viewfinder doesn't have to be directly above the lens axis, the screen doesn't have to be on the camera back. The camera can be optimised in physical design for different things than a DSLR is.

I don't believe a different lens mount with a shorter register is a great advantage; keeping the existing mount means the camera is an extension of, and can extend the flexibility of, the camera system, and instantly has a large selection of lenses to choose from.

A shorter register is great for enabling the design of small wide/normal primes, but makes rather less difference in the size of other lenses.

Whatever the design, an interchangeable lens camera with lens of APS-C format doesn't fit in a trouser or even a jacket pocket; it makes little difference if the camera is 30mm or so less deep because it has a shorter register.

Meh. They don't *deserve* to succeed, for merely copying the way others are going. Doesn't mean they won't, nor even that I wish them either good or ill, though.

Df, much?

My love affair with Nikon stopped when they came out with the D610, leaving me with a D600 that, even after they finally offered to fix it, was worth far less.
I grabbed the D750 when it came out and sold the D600 at a loss.
I liked the D750 but Nikon's less than optimum response to the D600 debacle had soured the milk.
18 months ago I traded the approximately $10k worth of Nikon equipment in for a Fuji X-T2 with an assortment of lenses. I'm happy.
The other day I was coerced in to being the second photog at a small wedding. I hadn't done any event work for several years. I found the X-T2 and lenses a bit less than optimal simply because of my rustiness in addition to buttons and dials requiring a bit more thought because of placement. I still managed to satisfy the main photog with my shots but felt less than proficient.
So the mirrorless Nikon offering is a whisper in my ear. Part of me wants them to suffer for the callous disregard of my investment. But another part of me waits to see what they do.
Grrrrrrrr.

I am of the opinion that new sensor technologies will drive digital imaging innovations in the next decade. Computational image manipulation will filter down from the smartphone and make interchangeable lenses a thing of the past. Samsung and Apple will be the only camera companies left standing.

I want them to exist, be capable, and be mildly successful. In other words, I hope it’s exactly what we expect from Canon. A boring black lump of plastic. My boring 6D has served me well and as a Canon guy I’d give the new Canon mirrorless a spin.

This way the innovators can continue doing cool things, Canikon has addressed the threat to their pro market which seems to be all they worry about, and the world spins on.

Maybe it's too much to hope at this stage in mirrorless evolution, but I'd be happy if Canikon had the bravery and ability to provide a radical improvement in camera user experience. We don't need cameras shaped like film cameras any more, and we don't need on board software designed by engineers. It would be great to see something imaginative in its use of ergonomics and haptics, and an interface that is driven by use case rather than lists of functions. Product design in the camera market seems stagnant right now.

Thom Hogan’s comment is disappointing to me. Yeah, in absolute terms, the more “pies” the better. But I kinda get you would feel - and I would agree - that if they are just “me too pies” that really aren’t unique or presenting any new features and which “taste” the same, we camera buyers have gained almost nothing. And perhaps the biggest or best marketer wins for that reason alone and not based on the quality of the product being peddled.

Reading all this talk of "innovation" and the camera companies "not getting it," I confess to being a little irked by the pronouncements. What is it that they're supposed to "get," exactly? Market segments that no individual, or individual corporation, could possibly anticipate?? Okay.

I mean, I get it. I was just now kinda (to my surprise) fascinated by reading DPReview's review of the new GoPro 360 thing. Were I a bit younger, playing soccer or whatever with a group of friends, man, it would be soooo cool to piece together the action, say a goal scored by a group of us, editing streams of full-surround video capture from body-worn cameras into a traditional rectangular narrative view. Wow. We'd all share our capture with the one in our group that's great at editing the whole business. Seriously, something like this could be what's possible very soon. Cool.

But, as many of us have said here in various ways, I like a basic, reliable, solid, *camera*, blamderrnit! I still think of a memory card as this amazing film cartridge. I'm blown away that I can get a good preview of what might be put on this "film" using today's EVFs. I hope Nikon can deliver that. It might not be exactly for me, but I'd still like that to happen.

And admittedly I'd rather every camera compete, in this same way, in micro 4/3rds space. I like the size and format. I want the EVFs to get better and I want smaller sensors to capture as well as FF does now. I still like smaller cameras. I fear that the market won't ever let me have the mirrorless Nikon D4 or D800 the size of a 60s-era SLR, like the one that hooked me on photography. Instead they tease me with approximates and avoid producing what I could probably have *right now*. It's not innovation at this point, it's just that everybody else's derrnedmd preferences are getting in the way of mine!

Nevertheless, the phone cameras, the GoPros, et ceteras, are exciting in their own right, and I get the coal mine canary cries. The future in past cameras may be about to pass.

In Portland, Oregon, the rentable power scooter craze has finally hit. Immediately I see people 20+ years younger than me are flying all around coolly balanced on these small-wheeled fleet things, sometimes two on the same plank, looking pretty pleased. Feeling chased around on my bike-around routes, hounded by them, I can't help but be deeply annoyed. They make me feel old, really der-blammed old. I can never get on one of those things. I like a good old bike.

But a bizarre future world where all the guzzling vehicles in this town are replaced by commuters on little scooters, bikes are expensive and just for hobbyists, cars are just collectibles for the 1%, and I'm stuck idle in my wheelchair? Well, okay! Who would've guessed?

Okay, yeah, the analogy falls apart. Bikes are just great, they aren't going away, there are so many different ones, the basic design hasn't really needed to change for a long time, companies have come and gone, the components have gotten better and better, and people will probably still want to ride them for fun and good exercise even though bike riding is not everyone's cup of tea. I like bikes, I have a good one, I'm happy. I hope that stills photography lasts in this same way, blessed with what electronic technology can ultimately deliver to it.

Let me be honest: Right now I can carry my OM digital body (along with two prime lenses (!), normal and tele(!!), two batteries) in a small bag on the frame of my bike, even for many-day tours, and take amazing snaps on those trips. 1000 shots taken, 36 worth sharing, and one or two that I can return home to print, all professional-like, immediately and at home(!!!).

Somehow I blame Nikon and Canon, the Abel and the Cain of this whole mess. Gerrmd bless the mirror-less.

Mike: "I'm a little resentful, too, that there's so little real innovation in the camera sector these days"

Me, too.

I have to keep reminding myself how the Japanese got into camera making in the first place - by copying. So I guess it is just natural that one Company produces a 24-70mm lens, so they all do. One makes a mirror-less, so they all do. And on it goes.

If I recall correctly, only Pentax has shown any real sounds of originality, closely followed by Olympus with a whisper or three.

That latter company, love it like I do, has even resorted to copying itself. More than once!

Rob Griffin: "I should say though, having been a photographer for over 35 years, what I would still love to have is a simple digital camera much like a Nikon FM or FE or an Olympus OM1 or OM2."

Again me, too. I tried nagging Olympus to develop the Pen E-P1 into what it needed to be for ageing photographers, a digital mirror-less compact with an optical zoom viewfinder that matched the standard zoom but with some brightline markers in the OVF for, say, 24mm & 35mm (equivalent) lenses along with center A/F brackets.

They refused to go that route. Instead they took the Pen range, with its multiple variants, through some good upgrades as well as many needless ones and ended up killing a really great range that had long-term potential.

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