It's no use closing the barn door after the horse has bolted.
—Old saying
Do you do this?
On Saturday, I went to my son's girlfriend's graduation, and for the second time in two years needed a telephoto lens. I should explain that I almost never need a telephoto lens. They don't suit the subjects I like to shoot or the way I tend to see (no h8 for telephoto fans, though, of course). I took the longest lens I have for the Micro 4/3 camera, the Olympus 45mm. It worked out okay; I took a lot of portraits outside after the ceremony and I made the Photoshopped concoction below, compensating for the high school gym lighting, which must be close to the ugliest available light you'll encounter in the wild. It records the occasion, that's all I can say for it.
This was as close as I could get to the stage. And even so—O, sweet nostalgia!—I got yelled at by a teacher. For being in peoples' way. I dutifully kneeled down, just getting up to take this snap and two or three more.
As you perceive, I needed a longer lens.
So what do I do? I come straight home and go immediately to the computer and go immediately to B&H Photo and start poring over telephoto lenses for Micro 4/3 cameras, thinking: which one shall I get? Like an eager dog. Which one would have been perfect for the shooting I just did?
Emphasis on that last. "For the shooting I just did." Cut to bolting horse, rapidly getting smaller in size as it heads for the horizon.
I thought I needed something on the order of an 80–200mm equivalent. There's nothing like that, but there are several alternatives. Panasonic makes a 90–350mm equivalent that's not too expensive. Olympus makes a 40-150mm. But the killer app seems to be Panasonic's Lumix G Vario 100–300mm ƒ/4.0–5.6 OIS lens. Yum tasty.
And I think, "I need that. I'll get that."
But no. No, I don't. I don't need that. And I shouldn't get it. I have literally needed a longer telephoto lens two times in the last two years—at the last two high school graduations. And now our graduations are over, so that frequency might diminish from here on out. If I bought a longer telephoto than my 45mm I would use it maybe once every year. Probably more like once every two years. IOW, I don't really need it at all.
This happens a lot with me: I encounter a situation while shooting; I don't have exactly the right piece of equipment I might ideally need; so I get all fired up and hot with GAS, and have to engage—indulge—in a long flurry of shopping, as if there is some law from on high that states that I must be equipped with every scrap of equipment I've ever felt the glimmer of a need for.
I've been doing that same thing over and over again for a long time now, too.
You'd think someday I'd learn.
Mike
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Original contents copyright 2012 by Michael C. Johnston and/or the bylined author. All Rights Reserved.
Featured Comment by Ben Rosengart: "Sounds to me like you ought to bookmark lensrentals.com."
Featured Comment by Kaemu: "Dood! You are probably in the same situation as me: people around you think of you as the 'photo guy' so (unfairly?) expect you to deliver great pictures whatever the occasion, which, I have come to accept, means that one has to be equipped with a good flash unit and a lens with at least a clean 200mm or equivalent focal length. For a guy who likes to shoot landscapes and architecture, not something I used much. But honestly, seeing peoples' face light up when they see the results is reward enough. Plus, I've experimented with teles and have gotten some nice seascapes and architectural shots with them. Some of my favorites in fact. So, all in all, getting these long lenses has beem 'all good.'"
Featured [partial] Comment by Richard Alexander: "Isn't this situation exactly what legacy lens adapters are for?"
Featured Comment by Walter Glover: "To hell with rental and purchase purely to meet clichéd expectations—do what you did, Mike, and go for the contextual shot that is imbued with all the stuff that memory is made of."
Featured [partial] Comment by bahi: "...The feeling of being one lens short never quite goes away."
Featured Comment by Chris Crowe: "Whilst it seems to be looked down on for those with small cameras (where it is called digital zoom), those with higher end cameras go for higher pixel density and then crop."
Mike replies: That's what my friend Jack does with his Leica S2 and two primes. And from what little I've seen, you'd never know.
That's also the principle of the coming super Nokia, the 41-MP PureView 808.
Featured Comment by Ed Buziak: "Two quotes come to mind...the first by photojournalist David Douglas Duncan, 'If your pictures aren't good enough, you're not close enough,' which I would have fired back at the teacher. And to dispel cravings for more equipment (which you—and I—rarely have, but is a subject which pollutes most photography forum talk)...from Will Smith in the film Bagger Vance, 'I do the best with what I got to work with.'"
Featured [partial] Comment by Andrew Kowalczyk: "I like the picture better this way. If you had the lens you wanted you would have ended up with a so-so portrait under odd light (that you could have taken in the backyard to better effect). But this is sweet: the light hits her in a chiaroscuro way. The overarching heater blowers puts you in a place (this is Wisconsin, after all). Even the use of the library book cart to hold the diplomas attest to the frugal quirkiness of the school. I think you would have missed this if you had the 'right' lens."
Featured [partial] Comment by Philip Storry: "I gave in to that indulgence a long time ago. Which is why my camera bag has nine lenses in it. I can, of course, make do with far fewer. There's considerable overlap that would allow me to ditch half of them in theory. But there's a wonderful shift in thinking when using a different focal length (or range of lengths)....
Featured Comment by david: "You (and I) definitely need the Olympus 75mm. Definitely."
Mike replies: Go away, I'm not listening to you! (Sticking fingers in ears.) :-)
Featured Comment by Paul Pickard: "Wow does this strike a chord with me! I have been doing this forever, with photography and many other things in life too. I just got the OMD with the 12–50mm and keep thinking, I need to get another lens...what I should really do is work with this and get comfortable with it, then maybe get something else. Thanks for giving me a pause to reflect."
Featured Comment by Keith I: "I've been there and have several lenses that spend most of their time just sitting on the shelf that I 'needed' for an event or opportunity that had passed. Maybe next time I'll have it ready...."
Featured [partial] Comment by by Andy Sheppard: "Funny, a little while ago you wrote an article advising 'buy just a D700, a 35, and an 85'—cool, calm, rationalised, minimal. And it transpires you're as much a turgid mess of 'I [might] need that!!' as the best of us...."
Mike replies: I am. Guilty.
I really do admire the (few) guys who have the discipline buy a minimalist kit and then use it for years. My excuse is that I need to write about cameras, but deep in my soul I know it's just an excuse.
Featured [partial] Comment by by KeithB: "When you have a telephoto, you will probably find times to use it."
Featured Comment by John Baker: "You never mentioned whether they're planning to go to university. The size of the telephoto you'll require is in direct proportion to the size of the university they attend."
Featured Comment by Speed: "You need to cultivate more useful friends."
Featured Comment by SteveO: "I'm an old carpenter and sometime photographer. I've got all sorts of woodworking tools that seldom get used but when I need 'em it's sure nice to know they're there. Same with my photo gear (tools), even if used only occasionally it's nice to have it handy."
Featured Comment by James Rhem: "At least you are focused on the equipment of today. My basement is filled with the equipment of the past as I have been unable to resist buying it bit by bit on eBay, seemingly unable to accept the devolution of photography into labyrinth of ones and zeros. I seem to feel that I must be the guardian of the past, keeping it somehow valued and alive at least potentially, like a cryogenic corpse."
Mike replies: You think you're bad, check out this Craigslist ad from the San Francisco Bay Area (thanks to Bob Lai for this):
Featured Comment by Josh Hawkins: "You have learned. You didn't buy anything."
Mike adds: Lest others miss the significance of this, Josh used to be the manager at Oak Park Camera, my then-local all-purpose camera store, which had a big selection of used gear. His comment is, shall we say, freighted with meaning. :-)
Featured [partial] Comment by Tom Judd: "...Giving in to an occasional want can brighten your life."
Featured Comment by Nick: "That is the best shopping you can do; all the fun and no expenses!"
The 40-150, which I have, is surprisingly good for a lens that small, cheap, and light. The 100-300 is on my faunch list, but I keep reminding myself that the EPL-2 is my secondary, small, camera, not something I'm trying to equip to be my general camera. The 45-200, which Ctein has, seems to be very good too.
Posted by: David Dyer-Bennet | Tuesday, 12 June 2012 at 04:40 PM
Ctein wrote an article about the Samyung 85mm f1.4 for four thirds. That is cheap and would have been just the ticket.
Posted by: Larry Creel | Tuesday, 12 June 2012 at 05:10 PM
If you don't use it once a week, it's better to rent it. Because it's hard to rent M43, maybe the best solution would have been to rent a D700 with either a 80-200 f/2.8 or a 70-200 f/2.8.
Posted by: c.d.embrey | Tuesday, 12 June 2012 at 05:18 PM
Mike, Solving your problem by using adapters and legacy telephoto lenses, either fixed or zoom, will introduce another set of problems that will insure the lens gathers dust on your shelves. Picture yourself trying to manually focus a 100/300 lens in the dim indoor light of the auditorium while hand holding and trying to capture a slowly moving subject. Your hands would have to be steadier than most of us middle aged coffee drinkers and your ISO would be extremely high as most of these lenses are slow (or huge in the f2.8 models). This highly touted practice of using legacy lenses on 4/3rd or Nex bodies is fine in the wide angle to normal focal lengths or on a tripod and is attractive to folks that already own the old lenses. For your purposes you would be happier with a modern system lens such as the one you have chosen, the Lumix 100/300, because you gain the advantage of auto focus and the image stabilization would make life easier, giving you a realistic 2 stop advantage. Of course I understand the cost factor we all deal with but personally I would rather hit the old Top Ramen, Kraft Mac/Cheese routine and salt away the bucks for the new, more useful lens. In my case I bought the two primes (1.4 24mm Zeiss and the 50mm 1.8 Sony) for my new Nex7 but also bit the bullet for the Sony 18/200 zoom which I like more each time I use it. I am using it a lot due to the compact size as compared to my too heavy Canon zooms.
Posted by: L D Hunt | Tuesday, 12 June 2012 at 05:21 PM
The need/requirement for the loooong
lens has past, as much as a phart.
So put the money you would have spent towards that so important future mortgage.
Bu2 the house you want, then purchase the lens as a welcome, Carter.
Posted by: Bryce Lee | Tuesday, 12 June 2012 at 05:56 PM
Go ahead, Mike. Make the leap and buy, borrow or rent a longer lens-prime or zoom. Use it as your primary lens for a while. Experiment. Note the differences in perspective, depth of focus, interaction with the subject, etc. etc. Get out of your comfort zone.If you try it, you may like it. And you may even decide its worth keeping.
Posted by: Richard Newman | Tuesday, 12 June 2012 at 07:23 PM
Mike, looking at your photo, you really needed a wider lens to include the front of the audience (gr).
Your photo is fine; it's a memory shot; with the necessary constraints imposed by the venue and occasion it was never going to be art.
I realised a few decades ago that magazines (and, now, the internet) feed the erroneous idea that we hobby photographers ought to be equipped for whatever comes, be it a photojournalist assignment or an African safari. As if, then I could crack it as a real photographer.
Posted by: Rod S. | Tuesday, 12 June 2012 at 08:02 PM
"I have a project in mind that will require what will be my very longest lens- just ordered a 40mm Voigtlander for my FM3A that I intend to use for portraits."
Stan,
That's something for me to look forward to. I've always enjoyed your photography but never shared your affection for super-wide lenses. I hope you can learn to deal with the "near telephoto" 40.
Mike
Posted by: Mike Johnston | Tuesday, 12 June 2012 at 08:05 PM
In some ten or twenty years the girl will be happy with this nice photo showing her graduation - instead of showing just her in a portrait that could have been taken anywhere.
I also like the flag and the smiling man on the right side.
Posted by: Mara | Tuesday, 12 June 2012 at 09:49 PM
I did the same thing just last week, before the transit of Venus. All excited, I was considering buying a Nikon V1 and a 70–300 mm VR. Happily, I've never owned a lens longer than 105 mm, and rarely wanted one, the occasional sports event and wildlife encounter being the exception. But I knew that thousands of people would be making better pictures of the transit than I would, and I didn't have time to get the gear, anyway. Am I glad I didn't make a rash purchase? Yes, I am.
Posted by: James W. | Tuesday, 12 June 2012 at 10:46 PM
What Geoff said.
Heh! Wait-a-minute, there, Mr. Camp! You beat me to it!
%^)
Dave
Posted by: Dave Fultz | Tuesday, 12 June 2012 at 11:10 PM
Now if you were shooting on 4x5 you could have just cropped down.. :P
Posted by: Neal | Tuesday, 12 June 2012 at 11:22 PM
Chicks dig the long lens.
Posted by: toto | Wednesday, 13 June 2012 at 12:13 AM
Ctein,
On the quality of the 45-200 I do agree....it's a great lens (my dad owns one and I have used it). Personally I shoot with an old 80-200 F 4.0 (build 1976) that I bought of the net for 80 dollars.....now it does not have mega OIS....but in goed light....hell Nikon sure made some fine glass back then....
http://blogger.xs4all.nl/stomoxys/archive/2012/05/06/759150.aspx
Well they said that lens replaced the prime's in it's range and it still does. This baby is shot in april.....shuttertime 1/2500 by iso 200.....at F4.0 for a 400 mm....not bad figures at all and by hand.
Greetings, Ed
Greetings, Ed
Posted by: Ed | Wednesday, 13 June 2012 at 01:05 AM
Wow! This is the one-stop page of thoughtful lens suggestions from pros that point-n-shooters upgrading to mirrorless ILC's can mine profitably!
Nobody has suggested this yet... wait, there's a second page!... Right, this will be the first* mention here...
How about Panasonic G X Vario PZ 14-42mm 1:3.5-5.6 Power O.I.S. with its dedicated 2x (optical) tele conversion lens DMW-GTC1. This "pancake" zoom would look nice on your E-M5 (you can turn off the Pana's in-lens stabilization if it's not up to scratch). The Pana tele-converter is available at Adorama for 130. This small "X-series" combo would cost much less (530) than the M.Zuiko 75mm prime (900).
Here's a pic of the Panasonic wide zoom with the tele conversion lens attached.
Can't believe I just dared to "sell coal to Newcastle"!
Hmmm... Since none of the TOP 100++ even mentioned this lens at all... Maybe I shouldn't consider buying this!?!
Anyway, much thanks to you, Mike, and to the TOP 100 (and counting)!
*Several TOP readers did mention adapted zooms and/or tele-converter combos. Less expensive but bulkier, also no AF. Hmmm... could this mean that I'm (justifiably) on the right track!-)
Posted by: Sarge | Wednesday, 13 June 2012 at 01:40 AM
You're lucky, I've been know to shell out for gear just on the theoretical possibility that I might need it!
Ooh, Ctein has a good point.
I have a Nikon 70-200mm 2.8 you can buy. Warning: it is likely to crack your spine if carried in one hand.
Posted by: Eolake Stobblehouse | Wednesday, 13 June 2012 at 12:10 PM
Like Dan said about borrow lenses.com - but I'll add that they will ship anywhere you are and the rental doesn't start until the package is signed for and ends when you drop it off to return. I've rented lighting, big lenses, and cameras from them. Great service, great prices, all around excellent experience. Next time grab yourself a 200-500 and zoom away!
Posted by: Greg Wostrel | Wednesday, 13 June 2012 at 12:18 PM
I thought it was Robert Capa that said, "If your pictures aren't good enough, you're not close enough."
Posted by: Phil Cook | Wednesday, 13 June 2012 at 02:10 PM
Sounds like a perfect use for a 2x teleconverter.
Posted by: William Wragg | Wednesday, 13 June 2012 at 02:20 PM